Signed by the author
 
Thomas Bernard Malamud discloses, in its own clear yet unabridged way, the artist’s major concerns: the objects and activities of the everyday as physical, material and intellectual decisions played out in space by a subject who is simultaneously approaching and diminishing. At once humorous, emotive and, to use Thomas Bernhard’s term, ‘corrective’, Thomas Bernard Malamud proposes new ways of thinking about the everyday as a series of necessarily deathbound, yet potentially joyful, decisions and displacements, additions and reductions.
 
TEXTS BY
Improper Names, Becky Beasley
German Soup, Some Thoughts I had While Printing, Becky Beasley
Vermischte Bemerkungen: Correspondences, John Slyce
A Short History of Walnut, Becky Beasley
The Problem in Summarizing Blanchot, Lydia Davis
The Man Nobody Could Lift, Chris Sharp
17 July 2009, Simone Menegoi
 
Concept: Becky Beasley
Design: Becky Beasley and Arnoud Verhaeghe
Photography: Koen de Waal
Printing: Aldgate Press, London
 
ISBN: 978-0-9557540-2-9
PUBLISHER: Becky Beasley, Laura Bartlett Gallery, and Office Baroque Gallery
Edition of 500 ,
21,7 x 28 cm
68 pages,
32 colour
 
Limited Edition of 21 copies including a gelatin silverprint (no longer available)